{"id":3748,"date":"2021-04-08T10:17:55","date_gmt":"2021-04-08T08:17:55","guid":{"rendered":"https:\/\/revue-belveder.org\/?p=3748"},"modified":"2021-04-12T16:33:35","modified_gmt":"2021-04-12T14:33:35","slug":"a-lire-et-a-ecouter-3","status":"publish","type":"post","link":"https:\/\/revue-belveder.org\/index.php\/a-lire-et-a-ecouter-3\/","title":{"rendered":"A lire et \u00e0 \u00e9couter"},"content":{"rendered":"<h3><strong>\u00c0 lire\u2026<\/strong><\/h3>\n<p><strong>\u00a0<\/strong><\/p>\n<p><strong>Panos MANTZARIAS et Paola VIGANO (sous la dir.), <em>Le Sol des villes<\/em>, M\u0113tisPresses, 2016<\/strong><\/p>\n<p>\u00ab\u00a0Le sol des villes rend compte d\u2019un d\u00e9bat pluridisciplinaire qui reprend la probl\u00e9matique du sol \u00e0 partir de ses dimensions \u00e9l\u00e9mentaires\u00a0: arch\u00e9ologie, architecture, g\u00e9ographie, histoire, paysage, p\u00e9dologie, philosophie, urbanisme. [\u2026] Les quatorze contributions de ce volume proposent ainsi des descriptions et des repr\u00e9sentations originales qui renouvellent notre regard sur la ville et confirment cette constatation d\u00e9sormais incontournable\u00a0: le sol est au c\u0153ur du projet urbain et territorial et s\u2019impose donc comme un \u00e9l\u00e9ment capital de la transition \u00e9cologique du 21<sup>e<\/sup> si\u00e8cle.\u00a0\u00bb<\/p>\n<p><strong>\u00a0<img loading=\"lazy\" class=\"aligncenter wp-image-3880\" src=\"https:\/\/revue-belveder.org\/wp-content\/uploads\/2021\/04\/A-LIRE_Le-sol-des-villes.jpg\" alt=\"\" width=\"300\" height=\"407\" srcset=\"https:\/\/revue-belveder.org\/wp-content\/uploads\/2021\/04\/A-LIRE_Le-sol-des-villes.jpg 552w, https:\/\/revue-belveder.org\/wp-content\/uploads\/2021\/04\/A-LIRE_Le-sol-des-villes-221x300.jpg 221w, https:\/\/revue-belveder.org\/wp-content\/uploads\/2021\/04\/A-LIRE_Le-sol-des-villes-500x678.jpg 500w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/strong><\/p>\n<p>&nbsp;<\/p>\n<p><strong>Matthieu DUPERREX, <em>Voyages en sol incertain<\/em>, Wildproject, 2019<\/strong><\/p>\n<p>\u00ab\u00a0Les deltas du Rh\u00f4ne et du Mississippi sont le th\u00e9\u00e2tre d\u2019intenses enjeux \u00e9cologiques, historiques, industriels, sociologiques, politiques. Territoires profond\u00e9ment hybrides, ces deltas sont embl\u00e9matiques de nos relations contemporaines \u00e0 la Terre. De son enqu\u00eate au long cours, l\u2019auteur revient avec une s\u00e9rie de 31 r\u00e9cits, plac\u00e9s sous le signe de 31 esp\u00e8ces animales et v\u00e9g\u00e9tales.\u00a0\u00bb<\/p>\n<p><img loading=\"lazy\" class=\"aligncenter wp-image-3882\" src=\"https:\/\/revue-belveder.org\/wp-content\/uploads\/2021\/04\/A-LIRE_-Voyage-en-sol-incertain-cad-191x300.jpg\" alt=\"\" width=\"300\" height=\"472\" srcset=\"https:\/\/revue-belveder.org\/wp-content\/uploads\/2021\/04\/A-LIRE_-Voyage-en-sol-incertain-cad-191x300.jpg 191w, https:\/\/revue-belveder.org\/wp-content\/uploads\/2021\/04\/A-LIRE_-Voyage-en-sol-incertain-cad-500x787.jpg 500w, https:\/\/revue-belveder.org\/wp-content\/uploads\/2021\/04\/A-LIRE_-Voyage-en-sol-incertain-cad.jpg 587w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/p>\n<p>&nbsp;<\/p>\n<h4><strong>\u2026 \u00a0\u00c0 \u00e9couter<\/strong><\/h4>\n<p><strong>Podcast <\/strong><strong><em>Programme B \u2013 <\/em><\/strong><strong>hors-s\u00e9rie<em> Campagnes urbaines<\/em>, \u00e9pisode 6 \u00ab\u00a0Les lotissements sont-ils vraiment un \u201cd\u00e9sastre \u00e9cologique\u2033\u00a0?\u00a0\u00bb, Binge Audio \/ PUCA<\/strong><\/p>\n<p>D\u00e9ambulation dans les quartiers pavillonnaires avec les chercheurs du programme Popsu M\u00e9tropoles. Si la place de la nature y est importante, elle est souvent d\u00e9crite comme artificielle. Qu\u2019en est-il vraiment et notamment des sols\u00a0?<\/p>\n<blockquote class=\"wp-embedded-content\" data-secret=\"Yu3JyKHzTS\"><p><a href=\"https:\/\/back.bingeaudio.fr\/campagnes-urbaines-episode-6-hors-serie\/\">Campagnes urbaines | \u00c9pisode 6 | Hors-s\u00e9rie<\/a><\/p><\/blockquote>\n<p><iframe class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" style=\"position: absolute; clip: rect(1px, 1px, 1px, 1px);\" src=\"https:\/\/back.bingeaudio.fr\/campagnes-urbaines-episode-6-hors-serie\/embed\/#?secret=Yu3JyKHzTS\" data-secret=\"Yu3JyKHzTS\" width=\"600\" height=\"338\" title=\"\u00ab\u00a0Campagnes urbaines | \u00c9pisode 6 | Hors-s\u00e9rie\u00a0\u00bb &#8212; Binge Audio\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"><\/iframe><\/p>\n<p>&nbsp;<\/p>\n<p><strong>Programme <em>On ne parle pas la bouche pleine<\/em>, \u00e9mission \u00ab\u00a0Vers la terre et vers de terre\u00a0\u00bb, France Culture<\/strong><\/p>\n<p>Discussion avec Marcel Bouch\u00e9, jardinier, agronome et <em>g\u00e9odrilogogue<\/em>, c\u2019est-\u00e0-dire sp\u00e9cialiste des vers de terre qui, en ing\u00e9rant, dig\u00e9rant et remodelant en permanence les sols, permettent de les a\u00e9rer, d&#8217;en am\u00e9liorer la structure et la fertilit\u00e9\u00a0; de les cultiver en somme.<\/p>\n<p><a href=\"https:\/\/www.franceculture.fr\/emissions\/ne-parle-pas-la-bouche-pleine\/vers-la-terre-et-vers-de-terre\" target=\"_blank\" rel=\"noopener\">https:\/\/www.franceculture.fr\/emissions\/ne-parle-pas-la-bouche-pleine\/vers-la-terre-et-vers-de-terre<\/a><\/p>\n<p><img loading=\"lazy\" class=\"aligncenter wp-image-3883\" src=\"https:\/\/revue-belveder.org\/wp-content\/uploads\/2021\/04\/FRANCE-CULTURE_On-ne-parle-pas-la-bouche-pleine.jpg\" alt=\"\" width=\"300\" height=\"300\" srcset=\"https:\/\/revue-belveder.org\/wp-content\/uploads\/2021\/04\/FRANCE-CULTURE_On-ne-parle-pas-la-bouche-pleine.jpg 248w, https:\/\/revue-belveder.org\/wp-content\/uploads\/2021\/04\/FRANCE-CULTURE_On-ne-parle-pas-la-bouche-pleine-150x150.jpg 150w, https:\/\/revue-belveder.org\/wp-content\/uploads\/2021\/04\/FRANCE-CULTURE_On-ne-parle-pas-la-bouche-pleine-230x230.jpg 230w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/p>\n<hr \/>\n<h4><em><strong>Laur\u00e9at 2020 du Prix \u00c9crire la Ville<\/strong><\/em><\/h4>\n<p><em>Pour sa 5<sup>e<\/sup> \u00e9dition, le Prix \u00c9crire la Ville a \u00e9t\u00e9 d\u00e9cern\u00e9 \u00e0 Camille Ammoun pour son roman Ougarit publi\u00e9 aux \u00e9ditions Inculte.<\/em><\/p>\n<p><em>\u00ab\u00a0Ougarit J\u00e9rusalem, urbanologue de renom, est appel\u00e9 \u00e0 Duba\u00ef pour insuffler une \u00e2me urbaine \u00e0 cette cit\u00e9 du d\u00e9sert per\u00e7ue comme une juxtaposition de tours ultramodernes et d\u2019autoroutes tentaculaires. [\u2026] Sur fond de qu\u00eate mystique de l\u2019aleph, Ougarit devient l\u2019enjeu d\u2019une lutte de pouvoir entre deux visions oppos\u00e9es de la ville\u2026 donc du monde. Se noue alors une intrigue impliquant les pouvoirs politiques locaux, les mafias indienne et chinoise et l\u2019ensemble des personnages crois\u00e9s au cours de ce livre, tour \u00e0 tour roman d\u2019aventures, roman politique, roman urbain.\u00a0\u00bb<\/em><\/p>\n<p><img loading=\"lazy\" class=\"aligncenter wp-image-3884\" src=\"https:\/\/revue-belveder.org\/wp-content\/uploads\/2021\/04\/PRIX-ECRIRE-LA-VILLE_C.-Ammoun-Ougarit-221x300.jpg\" alt=\"\" width=\"300\" height=\"407\" srcset=\"https:\/\/revue-belveder.org\/wp-content\/uploads\/2021\/04\/PRIX-ECRIRE-LA-VILLE_C.-Ammoun-Ougarit-221x300.jpg 221w, https:\/\/revue-belveder.org\/wp-content\/uploads\/2021\/04\/PRIX-ECRIRE-LA-VILLE_C.-Ammoun-Ougarit-768x1042.jpg 768w, https:\/\/revue-belveder.org\/wp-content\/uploads\/2021\/04\/PRIX-ECRIRE-LA-VILLE_C.-Ammoun-Ougarit-755x1024.jpg 755w, https:\/\/revue-belveder.org\/wp-content\/uploads\/2021\/04\/PRIX-ECRIRE-LA-VILLE_C.-Ammoun-Ougarit-500x679.jpg 500w, https:\/\/revue-belveder.org\/wp-content\/uploads\/2021\/04\/PRIX-ECRIRE-LA-VILLE_C.-Ammoun-Ougarit.jpg 1655w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Une s\u00e9lection d\u2019ouvrages et de podcasts pour prolonger et compl\u00e9ter les articles du num\u00e9ro.<\/p>\n","protected":false},"author":3,"featured_media":2907,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[50],"tags":[54],"authors":[{"term_id":82,"user_id":0,"is_guest":1,"slug":"auat","display_name":"AUAT"}],"_links":{"self":[{"href":"https:\/\/revue-belveder.org\/index.php\/wp-json\/wp\/v2\/posts\/3748"}],"collection":[{"href":"https:\/\/revue-belveder.org\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/revue-belveder.org\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/revue-belveder.org\/index.php\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/revue-belveder.org\/index.php\/wp-json\/wp\/v2\/comments?post=3748"}],"version-history":[{"count":6,"href":"https:\/\/revue-belveder.org\/index.php\/wp-json\/wp\/v2\/posts\/3748\/revisions"}],"predecessor-version":[{"id":3885,"href":"https:\/\/revue-belveder.org\/index.php\/wp-json\/wp\/v2\/posts\/3748\/revisions\/3885"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/revue-belveder.org\/index.php\/wp-json\/wp\/v2\/media\/2907"}],"wp:attachment":[{"href":"https:\/\/revue-belveder.org\/index.php\/wp-json\/wp\/v2\/media?parent=3748"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/revue-belveder.org\/index.php\/wp-json\/wp\/v2\/categories?post=3748"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/revue-belveder.org\/index.php\/wp-json\/wp\/v2\/tags?post=3748"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}